
Attending to some business in the small downstairs space at the MET Theatre, I inadvertently stumbled upon a set so provocative and intriguing that I knew at once I had to see the play that had inspired set director Paul Koslo (also Co-founder, Director, Producer, and Chief-Cook & Bottle Washer at the MET) to such intense creative vision. And opening night was no disappointment.
Once again the MET, known for discovering brilliant African-American playwrights, often in the early stages of promising, distinguished careers, has set before us a compelling and consequential production. Ashford J. Thomas, (credits also include the web series Howton U, which is scheduled to premiere in the winter of 2010) has written a terrific play, full of hilarity, drama, suspense, danger, romance, and the search for integrity that distinguishes all exceptional pieces.
Mr. Thomas also performs the lead role of Curtis Lee, and is delightful in his part, like a piece of candy melting in your mouth. One can’t help start rooting for him from the start. He bursts in upon a decrepit crowd in a more decrepit tavern selling and delivering moonshine to the neighborhood, creating havoc in the lives of all whom he encounters, as well as bringing honest insight and hope to some.
The play has been cast to perfection. There couldn’t be a more believable nor sinister gangster than that depicted by James E Hurd, or more a more youthful and modern-day ingénue than the one performed by Paris Rumford. Carl Crudup, a veteran and honed talent, perfectly fills out the character of Otis, a hanger-on at the bar. Gerrence George is comical as Herman, another bar frequenter. Richard Lewis Warren is just right as the greedy white developer intent on driving off Joe, owner of the bar played with stoic sincerityby Logan Alexander.
Long standing director at the MET, L. Flint Esquerra, has done a masterful job. He always seems to evoke joy in his productions. Somehow, with what appears to be a light touch, he sets off a vibration of love, fellowship, and humor. Some of the acting may not always be perfect…some twists of the script may not be seamless…and yet, these bumps in the road fall by the wayside through the overall energy, enthusiasm, and life force of the production.
For a completely enjoyable experience in the theatre, I highly recommend Who is Curtis Lee. You won’t be disappointed.