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Facing East

Carol Lynn Pearson  is a compassionate person who wears many
hats.  As the  poet/playwright/novelist/activist who wrote  "Facing
East,"  Pearson traveled to Long Beach last Friday when  International
City  Theatre opened its new production of her controversial  play.
Both before  the performance at ICT's welcoming reception, and
after  the thunderous applause of its heart-wrenching  ending,
Pearson  graciously answered all questions from the audience no  
matter  how pointed or personal.
In essence, "Facing  East" relates the tragic story of Ruth and
Alex  McCormick who are reeling from the suicide of their beloved  son
Andrew,  who was excommunicated when it was discovered he was
homosexual.
The McCormicks are  upstanding members in the Mormon community who
have  rigorously followed Church of Latter Day Saints doctrines  for
generations.   As such, Ruth and Alex are so devastated, so  distraught
by  Andrew's death, they alternately blame themselves, blame each  other,
and  blame their son's partner, Marcus, whom they hold responsible  for
luring  their son into breaking "God's holy law."
Their pain is so  deep, they even reveal their own inner demons-- 
secrets they have kept hidden from each other--to  help understand the
horror of  what has happened.   
No one could better  feel the depth of this tragedy or better
explain  it to an audience than the playwright herself.  As a  Fourth
Generation Mormon, she was married to a repressed  homosexual who was
the  father of their four children.  When  he contracted AIDS after their 
painful  divorce, Pearson  took him back into her home and nursed him  
until he  died.
Since that traumatic  experience, she has worked tirelessly
and  relentlessly for compassionate change in our country's social  and
religious attitudes.   In her own words, "Nothing I know of has  the
magic to  invite one person into the heart of another like the  magic
of  theater.  Change is most  definitely on the way."
"Facing East" isn't  a perfectly structured play; but under the
sensitive and insightful direction of Shashin Desai, the  three-member
cast  delivers the heart-rending truth at the core of Pearson's  drama.
To put  it succinctly: This ICT production is an important  theatrical
event  that everyone should experience.
It all unfolds in a  Salt Lake City Cemetery, designed in elegant
simplicity by Stephen Gifford with light design by Jared  A. Sayeg.
ICT's  trust stage has been transformed into a symbolic field of  white
salt  with an open grave-site that faces East.   As audiences learn from
the  play's opening lines: All Mormon graves and tombstones face East,
the  direction from which Jesus will come at his resurrection.
Although Andrew's  eulogies are over, grief-stricken Ruth and
Alex  still linger alone by their son's plot unable to say  goodbye.
Terry  Davis and Christian Lebano turn in outstanding portrayals  of
his anguished parents, each one destroyed  by Andrew's death but
reacting  to it with different attitudes and from different positions.  
As a devoted  Mormon mother, Ruth gave up everything because she
truly  believes her mission on earth is to create a celestial  family
that  will be united in the after-life for eternity.  Now that her 
only son  has been identified with homosexuality, excommunication and  
suicide,  the goal she devoted her life to is lost.
Conversely, because  of his unrelenting sorrow, Alex is prompted 
to ask  himself questions.  Looking  back through Andrew's life, 
he  sees things  through different lenses.   "No one in that church  really
knew  him," he says at the  start of the play.   "He was a good kid, a
sweet  kid, a  talented kid.  We need  a new funeral, one that  tells the truth
out here  in the open air, not  one that tells lies in a brick  chapel." 
And with  that, the search for answers  to his son's guilt, shame,  and
suffering begins.
"Why didn't I tell him I loved  him?" "He was a son any  father would be
proud of." "Why was I too busy to show him so?"  "Why did my career and
reputation come first?  Why didn't I trust him  and forgive him?"
Flashbacks, accusations,  counter-attacks and rationales escalate
when  Marcus enters the scene.  Daniel  Kash is totally convincing as
the  devoted love of Andrew's life.  A  handsome young man who lived
with  Andrew for a year, he has come late to the cemetery thinking 
everyone  would be gone so he  could grieve the loss of his partner alone.
In spite of  unspeakable pain from three diverse points of  view,
Pearson  leaves us with a bright shining glimmer of hope.  Ruth may 
hold on  to generations of beliefs that are un-reconcilable, but Alex and
Marcus  reach out to each other.  They even make a date to  have dinner--and 
maybe, just maybe, recognize the grief and loss they  both share.  Slowly 
but surely, change is in the air over the next  horizon.
"Facing East" continues  Thursday-Sunday at ICT, 300 East Ocean
Blvd, in  downtown Long Beach through July 5.   For ticket information,
call (562) 436-4610 or visit  www.InternationalCityTheatre.org.